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Saoirse Ronan’s portrayal of Jo is deftly played there is a certain windswept nature to her spirit which so perfectly suits Jo March. Jo captures the heart of any woman, young or old, for her blatant disregard of the expectations placed upon her. Saoirse Ronan-who played a similarly determined young woman in “Ladybird,” also directed by Greta Gerwig-plays Jo March as an independent, fiery, and insatiable storyteller. Elsewhere in the film, Jo’s younger sister Amy (Florence Pugh), proclaims marriage to be “an economic proposition,” especially since there were few ways for women to earn their own money in the 19th century.
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However, Jo never intends to marry, saying she’d rather keep her liberty and die a spinster, an ideal that was socially unacceptable in 1868, and is, for the most part, socially unacceptable today. As the two grow up, it is somewhat expected that they will marry. Early in the film, Jo March (Saoirse Ronan), the protagonist, befriends a wealthy neighbor’s grandson, Theodore “Laurie” Laurence (Timothée Chalamet). Gerwig’s creation is eloquently feminist, making audiences question how much society has truly achieved, even through modern feminism. The film covers themes such as the obligation of marriage, women in the working world, and economic inequality, with a star-studded cast and glowing cinematography showcased in 35mm film. Greta Gerwig’s spin on the classic tale of Little Women, first penned by Louisa May Alcott in 1868, is both timeless and poignant.